About Me

A black-and-white photo of a man playing an electric bass guitar on stage. He has short hair, a beard, and is wearing a lace or mesh shirt. In the background, there are musical equipment and amplifiers.

I am a First-Class Music and Sound Production graduate from BIMM Brighton, specialising in sound design, audio post-production, and composition for film and TV.

My work focuses on creating immersive sound through dialogue editing, Foley, sound design, and original music, with a particular interest in how audio shapes emotion and enhances visual narrative. I enjoy working across every stage of the audio post-production process, from recording and editing to the final mix, and take pride in delivering polished, high quality work.

I am currently seeking opportunities within the creative arts, including but not limited to film, television and game post-production where I can contribute to professional projects while continuing to develop my skills in audio post and sound design.

Contact for more info.

‘This composer/audio engineer is known for his blend of orchestral and electronic music in the creation of hybrid scores, with influence from musical psychology affecting each piece. Growing up in a rural area, nature heavily inspires the creative process. Spending most days either on the beach or in the woods, this can be heard with the often wind-like sounds in his music creating an airy atmosphere. One notable piece was the composition for ‘Black Hands Dead Section’ a play put on in Farnham by the UCA. Currently this artist is working towards an EP in his style, containing four tracks each conveying different emotion backed up by music psychology studies. Another area worth mentioning is his progression into the sound design field, having worked briefly on foley and sound effects.’