Portfolio

Audio Redesign - Prometheus

(Student Project)

This project is a complete audio redesign of the climactic fight scene from Prometheus, created as part of my Music Sound and Production Degree. The original soundtrack was replaced with entirely new audio, including Foley, sound effects, ambience, ADR, music cuing and a final mix.

The project focused on recreating the intensity and atmosphere of the original sequence while ensuring each element worked together to create a cohesive and immersive soundscape. Particular attention was given to layering environmental ambience, enhancing impacts and creature sounds, and balancing dialogue within a dense action sequence.

Credits

Voice Performance: Ellie Okane

Original footage © 20th Century Studios. Audio redesign and mix by Noah Battelley. Created for educational and portfolio purposes only.

Trailer Audio Redesign Bladerunner

An original rescore of the Blade Runner 2049 trailer, exploring how music can shape emotion, tension, and narrative. The project combines cinematic textures and orchestral elements to create a new interpretation of the visuals while remaining true to the film's atmosphere.

Credits

Guitar Performance: Ben Elwin

Original footage © Alcon Entertainment. Audio redesign and mix by Noah Battelley. Created for educational and portfolio purposes only.

Myrkur

Myrkur is part of a four-track EP exploring emotion in music. The track uses layered drones, processed instrumentation, key, and tempo to create a dark atmosphere without relying on melody. Inspired by the techniques of Icelandic composer Jóhann Jóhannsson, stretched string drones were used to enhance the track’s emotional depth.

Credits

Guitar Performance: Ben Elwin

Leave The Light On

This original folk track is shared in its unmastered form to showcase my approach to recording, composition, arrangement, and mixing. Presenting the track before the final mastering stage highlights the production process and the decisions made to capture performances and shape the overall sound.

Credits

Performance: Ben Elwin